![]() This hymn should be sung flowingly in parts. As a whole, this is best used as a post-sermon hymn. This hymn is good for a service of renewal, but should not be limited to any specific part of the Church year. He wrote the tune in 1907 the hymn was first published the same year in “Northfield Hymnal with Alexander’s Supplement.” The melody is serviceable, but is probably best sung in parts. Tune:įive years after the text had been written, George Stebbins specifically wrote a tune for Pollard’s hymn, entitled ADELAIDE. The text surrenders all control to the Lord, invoking his spirit to cleanse, mold, and transform. The line which says, “Thou art the Potter, I am the clay,” was inspired by the story of the potter in Jeremiah 18:3. She wrote all four stanzas that night before bed. When she heard an elderly woman at the prayer meeting say, “It really doesn’t matter what you do with us Lord, just have your own way with our lives,” Pollard was inspired. She had dreamed of being in the mission field in Africa, but was unable to go due to financial instability. A missionary in Africa prior to World War I, she devoted the last years of her life to Christian mysticism.įor believers to dedicate themselves individually and collectively to follow the will of the Lord stanza 2 suggests use in the service of confession and forgiveness, but as a whole the song fits best as a post-sermon hymn.Īdelaide Pollard wrote the text of this hymn after attending a prayer service in 1902. Torrey, she enrolled as a student at the Moody Bible Institute in Chicago and later taught at the Missionary Training School of the Christian Missionary Alliance in Nyack-on-the Hudson, New York. She studied speech at the Boston School of Oratory and taught in several girls' schools in Chicago, Illinois. Loading the chords for DEAR TEXT MATE (ILOCANO SONG). Originally called Sarah, Pollard chose the name Adelaide for herself. ![]() ![]() This is a deeply personal prayer that culminates in a strong plea that others may see Christ in the believer through the power of the Holy Spirit (st. 64:8) and wrote the consecration hymn "Have Thine Own Way, Lord." Repeating the words "Have thine own way," each stanza emphasizes the believer's harmony with God's will. New York, NY, 1934) attended a prayer meeting in 1902 and was inspired after hearing an older woman pray, "It really doesn't matter what you do with us, Lord–just have your way with our lives." Pollard went home and meditated on the potter's story in Jeremiah 18 (the same image is also in Isa. Periodically distressed after being unable to raise money to go to Africa as a missionary in the late 1890s, Adelaide A.
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